
BLUE EFFECT (MODRÝ EFEKT)-MEDITACE (1970 Jazz Rock/Fusion • Czech Republic)Full Album
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Dick Heckstall-Smith (September 16, 1934 – December 17, 2004) was an English jazz and blues saxophonist. He played with the most important English blues-rock and jazz-rock bands of the 1960s and 1970s. Heckstall-Smith was born Richard Malden Heckstall-Smith in Ludlow, England (his father then being headmaster of the local Grammar School), and brought up in Knighton, Wales. He learned to play piano, clarinet and alto saxophone in childhood. After refusing a second term at a York boarding school, he went to Gordonstoun, where his schoolmaster father, Hugh, had taken a job. Hugh soon fell out with the autocratic Kurt Hahn and the family retreated to Dartington. Heckstall-Smith completed his education at the Foxhole school before reading agriculture – and co-leading the university jazz band – at Sidney Sussex College, Cambridge, from 1953. Aged 15, he had taken up the soprano sax while at Foxhole, captivated by the sound of Sidney Bechet. Then the smokiness of Lester Young's sound caught him, and the music of tenor saxist Wardell Gray, a major early bebop musician. Heckstall-Smith was an active member of the London jazz scene from the late 1950s. He joined Blues Incorporated, Alexis Korner's groundbreaking blues group, in 1962. The following year, he was a founding member of that band's breakaway unit, the Graham Bond Organisation; the lineup also included two future members of the blues-rock supergroup Cream: bassist Jack Bruce and drummer Ginger Baker. In 1967, Heckstall-Smith became a member of keyboardist-vocalist John Mayall's prominent group the Bluesbreakers. That jazz-skewed edition of the band, which also included drummer Jon Hiseman and future Rolling Stones guitarist Mick Taylor, released the album Bare Wires in 1968. From 1968 to 1970, Heckstall-Smith and Hiseman were the key creative members of the pioneering UK jazz-rock band Colosseum. The act was a showcase for the saxophonist's writing and his instrumental virtuosity; like American saxophonist Rahsaan Roland Kirk, he could blow two saxophones simultaneously. Following a sold-out concert in London's Royal Albert Hall, Colosseum disbanded, and after some sessions work (e.g.Neil Ardley's 4th solo album "Symphony Of Amraranths") Dick Heckstall-Smith assembled his solo album "A Story Ended", from unrecorded Colosseum material like the truly sophisticated "The Pirate's Dream", an ambitious piece which took months to compose (at least), and new titles with lyricist Pete Brown. Apart from Clem, the whole (ex-)band turned up, while Hiseman produced. The spring '72 sessions also featured Caleb Quaye (g, ex-Elton John Band), Paul Williams, Drummer Rob Tait. Session cat Chris Spedding as well as a surprisingly agile Graham Bond, who sadly was to take hiown life a year later. Future Song 00:00 Crabs 04:18 Moses In The Bullrushourses 09:27 What The Morning Was After 13:09 The Pirate's Dream 18:43 Same Old Thing 29:01 Bass Guitar, Vocals – Mark Clarke (2) Drums – Rob Tait Drums, Congas, Bongos, Maracas – Jon Hiseman Electric Guitar – Chris Spedding Electric Guitar, Acoustic Guitar – Caleb Quaye Piano – Dave Greenslade, Gordon Beck Piano, Organ, Synthesizer [Moog], Vocals – Graham Bond Sounds [Moog Sounds] – Mike Vickers Tenor Saxophone, Soprano Saxophone [Acoustic & Electric] – D. H-S* Vocals – Chris Farlowe, Paul Williams

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BluesCountryPsychedelic rockSoulUnidentified upload
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