
Three Kantele Melodies played by Martti Pokela (1969)
Uploaded by Gammaldans
Unidentified upload
Uploaded by Gammaldans. Identification candidates are research leads, not confirmed recording metadata.
YouTube playback is for listening and research only. A public upload does not authorize sampling or production use; producers must obtain audio and permissions separately.
These values are unconfirmed candidates, not established artist or release facts.
No identification candidates were parsed from this upload.
No track timestamps were parsed from this upload.
Unidentified upload. No recording candidate has been established.
No external evidence is attached to these candidates.
Unofficial (self-made) compilation of violin Taqasim (solo improvisations) from the Middle East , North Africa and The Balkans. The oldest recordings included are from the late 1920s and early 1930s (tracks 9 & 10) and the most recent one is from 2005 (selection no. 4) (See Track listing below): 01. Taksim Mane (00:00) (performed by Ilmi Baki [Macedonia], recorded in 1971) 02. Taksim violin (01:50) (performed by an unnamed Syrian violinist, recorded in 1955) 03. Taqasim on violin (04:24) (performed by Palestinian oud & violin player Simon Shaheen, recorded in 1992) 04. Rast Taksim (05:57) (performed by Israeli multi instrumentalist Yinon Muallem, recorded in 2005) 05. Taksim Kurdi (07:10) (performed by Bekir Hadjikoune [Macedonia], recorded in 1971) 06. Taksim for Violin (08:51) (performed by Lebanese violin and kamancha player Ousama Hantira [member of Morkos Ensemble], recorded in 1999) 07. Rast Taksim (11:46) (performed by Greek violin player Kyriakos Petras [member of Ensemble En Chordais) 08. Mode Zidane (14:09) (performed by Algerian violinist Abdelghani Belkaid Ahmed) 09. Cifte Kiris Ile Rast Taksim (17:14) (performed by Turkish musician "Kemani" Ama Recep, recorded in the late 1920s or early 1930s) 10. Taqsim (20:14) (performed by Iraqi violin player Saleh Ibrahim. Recorded in the mid or late 1920s) - - 01. The violin in Arabic music: "The violin was adopted into Arabic music during the second half of the 19th century, replacing the indigenous Egyptian 2-string fiddle. - - 02. Because it is a fret-less instrument, it lends itself to producing all shades of the Arabic maqam. - - 03. Various tuning methods are used, but Traditional Arabic tuning is in fourths and fifths. - - 04. Playing style is ornate with slides, trills, wide vibrato and double stops, often using an open string as a drone. - - 05. The timbre ranges from rich to warm (similar to the sound of the Western violin), to nasal and penetrating, reminiscent of the sound of the rababah, a type of Arab folk fiddle. - - 06. The violin in held in the usual under-chin fashion or in gamba style on the knee.

Uploaded by Gammaldans
Unidentified upload

Uploaded by Gammaldans
Unidentified upload
Uploaded by Gammaldans
Unidentified upload
Uploaded by Gammaldans
Unidentified upload