Sonora Ponceña - Nada Para Ti (Visualizador Oficial)

Paying tribute to its native city, this band first hit the scene in Ponce, Puerto Rico. This is also where the band got the name known around the world, “La Sonora Ponceña.” La Sonora Ponceña’s fame and success are due largely to the contributions of Papo Lucca Jr., who took the band over from his father, Don Quique Lucca. Papo “Lucca” Jr., a consummate musician and arranger, would make varied, significant and important contributions to the band, such as experimenting with a totally new fusion of modern Cuban styles and jazz. The album Night Raider was released in 1981 on Inca Records (a Fania subsidiary). Produced by Papo Lucca, the album features salsa, bolero and Latin jazz sounds. Standout tracks include the opener “Ramona,” “Umi-Laye” and the closing track “Cuestiones de Amor.” The entire album is danceable, upbeat and exciting. #sonoraponceña #nightraider **Sígue/Follow Fania Records** Facebook: https://found.ee/faniarecordsFB Instagram: https://found.ee/faniarecordsIG YouTube: https://found.ee/fania-subscribe-yt-lat Twitter: https://found.ee/faniarecordsTwitter TikTok: https://found.ee/faniarecordsTikTok Newsletter: https://found.ee/fania-subscribe-newsletter-lat **About Fania Records** Fania’s master recording catalog is the definitive home for genres such as Latin big band, Afro-Cuban jazz, boogaloo, salsa and Latin R&B and includes artistic giants such as Celia Cruz, Willie Colón, Héctor Lavoe and Rubén Blades. With the creation of the international supergroup known as the Fania All-Stars, the label’s signature musical style became known as the “Fania Sound.” Fania’s rich master catalog also includes the Pete Rodriguez’s boogaloo classic “I Like It Like That,” currently sampled by Cardi B in her #1 hit “I Like It.” Additionally, three Fania recordings, Celia & Johnny by Celia Cruz and Johnny Pacheco, Azucar Pa’ Ti by Eddie Palmieri and Live at Yankee Stadium by the Fania All-Stars, appear in the National Recording Registry, a list of sound recordings that “are culturally, historically or aesthetically important, and/or inform or reflect life in the United States.”