Willie Colón & Ismael Miranda - No Me Digan Que Es Muy Tarde (Visualizador Oficial)

Listen to the remastered album by Willie Colón and Ismael Miranda, DOBLE ENERGÍA: https://found.ee/willie-colon-ismael-miranda-dobleenergia Ismael Miranda, Puerto Rican singer and songwriter, also known as El Niño Bonito de la Salsa, joined Fania as a back-up singer when he was only 19. By 1973, he was an established musician. He burst onto the scene with the album Asi Se Compone Un Son, which catapulted his solo career. During his time at Fania, he collaborated with Larry Harlow, Sonora Matancera, Willie Colón, and was a member of the Fania All Stars. His single collaboration with Colón was the album DOBLE ENERGÍA (Double Energy), released in 1980 on Fania Records. The biggest hit on the album was the opener “No Me Digan Que Es Muy Tarde Ya” (Don’t Tell Me It’s Too Late), composed by José Nogueras. ' #williecolon #ismaelmiranda #dobleenergia **Sígue/Follow Fania Records** Facebook: https://found.ee/faniarecordsFB Instagram: https://found.ee/faniarecordsIG YouTube: https://found.ee/fania-subscribe-yt-lat Twitter: https://found.ee/faniarecordsTwitter TikTok: https://found.ee/faniarecordsTikTok Newsletter: https://found.ee/fania-subscribe-newsletter-lat **About Fania Records** Fania’s master recording catalog is the definitive home for genres such as Latin big band, Afro-Cuban jazz, boogaloo, salsa and Latin R&B and includes artistic giants such as Celia Cruz, Willie Colón, Héctor Lavoe and Rubén Blades. With the creation of the international supergroup known as the Fania All-Stars, the label’s signature musical style became known as the “Fania Sound.” Fania’s rich master catalog also includes the Pete Rodriguez’s boogaloo classic “I Like It Like That,” currently sampled by Cardi B in her #1 hit “I Like It.” Additionally, three Fania recordings, Celia & Johnny by Celia Cruz and Johnny Pacheco, Azucar Pa’ Ti by Eddie Palmieri and Live at Yankee Stadium by the Fania All-Stars, appear in the National Recording Registry, a list of sound recordings that “are culturally, historically or aesthetically important, and/or inform or reflect life in the United States.”